故事大纲
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2017017 非常法国的德国话痨片。现代情感话题的探讨，包括恋爱、亲情及与工作的关系。
In Thomas Arslan’s films, his solitary characters often wander. Whether it is with defined purposes, like the cold thrill of a new heist job in underworld Berlin, or more elusive ones where the city becomes its own maze for reticent self-reflection—the spaces they pass through reveal a subtler internal tension beyond its overt narrative. Words spoken merely provide a clue to what is brewing under the surface, and even when the stakes are high, Arslan’s restrained visuals and minimalist environments render an element of quotidian drawl amongst life’s complexities. //Debbie Zhou. Wandering and Searching: Thomas Arslan’s ‘A Fine Day’[EB/OL]
plenty of scenes took place in U bahn and S bahn which haven't changed much today. Simple plot, long dilogues, and the costume of the protagonist is really a little bit rustic, maybe it just let the story seems more authentic.....seems more like a video than a movie.
- 昨天临时起意看的，看完想大喊“麦门！”（大莫莫的“麦”）和重看《夏天的故事》的一部。感觉环境音有点踩屎感，清晰到让人觉得舒服，但如果我们听到了女主角的声音在日常讲话时和给电影配音时的差别，就会意识到这种舒服值得令人怀疑。发现女主角言不由衷的同时也发现了自己的言不由衷，像被这部电影拍了拍肩。片长好像有点短，不够看，但又停顿得很合时宜。
“冷漠生硬缺乏公共空间，全是交通空间的城市里能有爱情吗？“ 就是太生硬了 所有人都愣愣的 结尾突然蹦一段大道理教诲观众实在好偷懒 对陌生的脸充满幻想是件正常的不得了的事吧